Liang Yusheng, originally named Chen Wentong, was born on April 5, 1924, in Mengshan, Guangxi. He was the founder of the New School of wuxia fiction, renowned worldwide for his works Baifa Monü Zhuan and Qijian Xia Tianshan. His literary talent, innovative spirit, perseverance, and his later-life reflections and consolidation of his legacy are all profoundly reflected in his BaZi chart.
BaZi Chart
Liang Yusheng's BaZi centers on a Jia Wood Day Master, revealing an upright and honor-bound personality. The Friend (Bi Jian) structure formed by the Year Pillar Jia Zi and the Day Pillar Jia Yin indicates a forthright temperament with a strong sense of loyalty. The Month Pillar Wu Chen brings out the qi of Indirect Wealth (Pian Cai) in Earth, complemented by Earth generating Wood, which endowed him with a sense of reality and an interest in history—highly favorable for telling wuxia narratives set against historical backdrops. The Hour Pillar Gui You manifests the signs of Direct Resource (Zheng Yin) and Direct Officer (Zheng Guan), supporting his scholarly cultivation and social prestige.
Literary Talent
The Jia Wood Day Master is nourished by the Eating God (Shi Shen), forming a fluent literary mind and poetic talent. The presence of Direct Resource in the chart further supports his scholarship, cultivating profound literary refinement and structural sophistication in his works. Liang Yusheng's writings are not only highly literary but also steeped in a strong sense of history, which aligns perfectly with his BaZi chart.
Innovation and Setting Trends
With a prominent Friend in his chart, his personality was independent and pioneering. Combined with Indirect Wealth's sensitivity to realistic themes, this propelled the formation and expanding influence of the New School wuxia. Building upon traditional wuxia fiction, Liang Yusheng's novels incorporated more realistic elements and humanistic concerns, pioneering the New School of wuxia literature.
Perseverance and Sense of Responsibility
The Year Pillar Jia Zi and the Month Branch Wu Chen reveal his capacity to withstand external pressures. Though constrained by reality, he was able to bear his social and familial responsibilities through the strength of Direct Officer and Direct Resource, manifesting as perseverance. Throughout his creative career, Liang Yusheng consistently maintained a deep sense of responsibility toward literature and society.
Reflection and Consolidation
In his later years, his Luck Pillars showed the interaction between the Eating God / Hurting Officer (Shang Guan) and Direct Resource, presenting a tendency to organize his works, reminisce, and turn toward religious faith, reflecting a intellectual consolidation and introspection. In his later years, Liang Yusheng chose to emigrate to Australia and began compiling his collected works, which aligns with the consolidating tendency found in his BaZi chart.
Life Timeline
In 1941, at the age of 17, Liang Yusheng transferred to Guilin Middle School in Guangxi, where he was broadly exposed to New Literature and developed a love for film and writing, laying an important ideological and aesthetic foundation for his future literary career.
In 1944, during the Second Sino-Japanese War, Liang Yusheng apprenticed under Mr. Jian Youwen, an expert on the history of the Taiping Heavenly Kingdom. He systematically studied Chinese history and literature, building a solid academic foundation that would later make him the founding grandmaster of the New School wuxia fiction.
In 1946, Liang Yusheng transferred from the Chemistry Department to the Economics Department to major in International Economics. He also joined the Arts and Literature Society of the Chinese Department, where he met Jin Yingxi, a scholar who had a significant influence on his academic thinking.
In 1949, Liang Yusheng traveled to British Hong Kong, where he took a position as an English translator at Ta Kung Pao, launching an entirely new career path in Hong Kong.
In 1950, Liang Yusheng was promoted to the editorial board of Ta Kung Pao, becoming its youngest member at the time. He began participating in the writing of important current affairs commentaries, making a name for himself in the journalism world.
In 1954, inspired by a martial arts tournament in Macau, Liang Yusheng published his first wuxia novel, Long Hu Dou Jing Hua, in Ta Kung Pao's evening edition. This pioneering work of the "New School wuxia fiction" brought him immediate fame.
In 1957, Liang Yusheng married his wife, Lin Cuiru. After the wedding, the couple returned to the Chinese mainland for their honeymoon, marking the beginning of a stable and enduring marriage.
In 1964, Liang Yusheng became the editor of the "Past and Present" historical and literary column at Ta Kung Pao. Drawing on his profound erudition, he carved out a space in mainstream media to showcase the charm of Chinese history and literature, with an influence that continued until 1966.
In 1977, during the spring Hong Kong-Japan Go tournament, Liang Yusheng defeated the Japanese first-dan player Matsumoto Fukuo with masterful skill, demonstrating his versatility and meticulous thinking.
In 1987, Liang Yusheng and his wife emigrated to Sydney, Australia, ending his long residence in Hong Kong and entering the later stage of his life in an entirely new environment.
In 1994, in his later years, Liang Yusheng chose to compile his collected works and began reflecting on his creative career, aligning with the consolidating tendency shown in his BaZi chart.