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บุคคลในประวัติศาสตร์กรณีศึกษา BaZi

Wu Guanzhong

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แผนภูมิ BaZi

เสาปี劫财劫财年柱
เสาเดือน食神正印月柱
เสาวัน元男正印日柱
เสายาม伤官伤官时柱

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Wu Guanzhong, a giant of modern Chinese art, fused Chinese and Western techniques with his unique ink-and-color painting style, forging a new artistic language. Through decades of teaching and generous donations of his work, he exerted a profound influence on the modernization of contemporary Chinese painting. This article combines a BaZi (Ba Zi) astrological analysis to explore in depth the inner connection between his life trajectory and his artistic achievements.

BaZi Chart

Verification of Birth Time

Wu Guanzhong was born on July 5, 1919, at 18:00 in Yixing, Jiangsu. The Day Master (Ri Zhu) Wu Earth was born in the Wu month when Fire is prosperous, and requires Metal to drain the Fire, with the Eating God (Shi Shen) and Hurting Officer (Shang Guan) generating wealth. In the You hour, seeing Xin You as the Hurting Officer signifies talent, expression, and outspokenness, perfectly matching Wu Guanzhong's fearless personality in breaking tradition, criticizing established conventions, and delivering powerful artistic expression. The You Metal controlling Fire brings rationality and strength of brushwork, aligning with his creative path of integrating oil painting and ink-and-color, blending Chinese and Western styles. The You hour is also conducive to public stage and reputation, explaining his public influence through studying in France, holding exhibitions, receiving late-life honors, and making massive donations. In contrast, although the Shen hour also features the Eating God and shows artistic inclinations, it leans towards formalistic comfort; the Yin and Mao hours, bearing Direct Officer (Zheng Guan) or Indirect Resource (Pian Yin), tend to be more academic or rule-abiding, making it difficult to express the sharp edge and critical nature of the Hurting Officer. Therefore, the You hour is the optimal choice.

Core Analysis

Wu Guanzhong's BaZi is Ji Wei, Geng Wu, Wu Wu, Xin You. The Day Master is Wu Earth, and the hour carries the Hurting Officer, giving the structure (Ge Ju) a tension described as the Hurting Officer meeting Resource. The chart is heavy with Fire and Earth; Fire generates Earth, displaying a passionate expressive power that aided his artistic expression and formal innovation. Simultaneously, the presence of Resource serves to discipline and resolve the sharp edge of the Hurting Officer, benefiting his academic cultivation and systematic training. During the Ding Mao and Bing Yin Luck Pillars (Da Yun), the Resource supported the Day Master, corresponding to his growth through studying abroad and teaching. The Yi Chou and Jia Zi Luck Pillars, representing Direct Officer and Seven Killings (Qi Sha), corresponded to the setbacks and critical pressures in his life, but they also facilitated the maturation of his style and the establishment of his social reputation.

Trait Analysis

  1. Innovation: BaZi basis: The chart reveals a protruding Hurting Officer, representing expression and artistic innovation, which led to the creation of his unique ink-and-color painting language and bold brushwork.
  2. Scholarship and Cultivation: BaZi basis: The Luck Pillars and the natal chart contain Resource elements generating and supporting the Wu Earth Day Master, facilitating his overseas studies, teaching, and writings, culminating in his identity as an art educator.
  3. Sense of Social Responsibility: BaZi basis: The appearance of wealth stars and the image of Friend (Bi Jian) and Rob Wealth (Jie Cai) in later Luck Pillars reflect his inclination toward donating to public institutions and giving back to society through art.
  4. Resilience and Perseverance: BaZi basis: The intense Fire and Earth in the natal chart, combined with experiencing Luck Pillars where Officer and Killings clashed, honed his resilience and independent vision despite facing setbacks.

Life Timeline

1932: A Top Student from a Humble Background

At age 13, he graduated in first place from the county-run Eshan Primary School in Heqiao Town, Yixing County, and was admitted to the Wuxi Normal School. He simultaneously began receiving the Class A provincial scholarship for underprivileged students in Jiangsu, laying a solid foundation for his future academic path.

BaZi Analysis: This year was the Ren Shen Annual Pillar (Liu Nian). The Heavenly Stem (Tian Gan) Ren Water is Indirect Wealth (Pian Cai), and the Earthly Branch (Di Zhi) Shen Metal is the Eating God. The chart has a strong Day Master (Shen Qiang), favoring Metal, Water, and Wood for balance. The Ren Water of the annual pillar regulated the temperature, moistening the parched summer earth, representing the awakening of wisdom and inspiration. The Shen Metal Eating God in the Earthly Branch resonated with the Hurting Officer in the Hour Pillar (Shi Zhu) of the natal chart, forming the configuration of "the Eating God and Hurting Officer draining and showcasing brilliance," indicating that his intelligence and talent were fully realized, leading to outstanding academic performance.

1935: A Turn of Fate: The Choice from Engineering to Art

At age 16, influenced by a classmate, he resolutely abandoned his electrical engineering major and decided to switch to art, preparing to apply for the National Hangzhou Art Academy, forever altering the trajectory of his life.

BaZi Analysis: This year was caught in the heavenly clash and earthly clash between the Ji Si Rob Wealth Luck Pillar and the Yi Hai Annual Pillar, marking a crucial turning point in his life. The double clash between the Luck Pillar and Annual Pillar powerfully shook the original structure, representing the breaking of the old path (electrical engineering) and the emergence of new opportunities (art).

1936: Setting Sail on the Artistic Journey, Admitted to the National Hangzhou Art Academy

At age 17, he was officially admitted to the preparatory program of the National Hangzhou Art Academy. He studied under masters such as Li Chaoshi, Fang Ganmin, and Wang Ziyun, embarking on a systematic study of painting and art.

BaZi Analysis: This year was during the Ji Si Rob Wealth Luck Pillar. The Luck Pillar combined with the Year, Month, and Day Pillars of the natal chart to form a directional frame (Hui Ju) of Fire (the unfavorable element (Ji Shen) of Resource), originally signifying environmental pressure and intensified competition. However, the arrival of the Bing Zi Annual Pillar brought a crucial turning point.

1940: Studying Under a Giant, a Turn on the Artistic Path

At age 21, out of admiration for Pan Tianshou, he resolutely transferred from the Western Painting Department to the Traditional Chinese Painting program, formally taking him as his master and initiating a systematic study and exploration of traditional Chinese painting.

BaZi Analysis: This year featured the Wu Chen Luck Pillar and the Geng Chen Annual Pillar. The Chen Earth in the Earthly Branches of both the Luck Pillar and the Annual Pillar were unfavorable elements of Friend and Rob Wealth; the heavy Earth buried the Metal, signifying intense competitive pressure and a strong sense of self.

1942: Graduating from the Art Academy, Teaching in the Mountain City

At age 23, he graduated from the National Hangzhou Art Academy and was immediately hired as a teaching assistant in the Architecture Department of Chongqing University, teaching sketching and watercolor, thus beginning a career that combined art and education.

BaZi Analysis: This year featured the Wu Chen Luck Pillar (a Friend cycle) and the Ren Wu Annual Pillar. The subject's BaZi has a strong Day Master, favoring Wood and Water as the favorable elements (Xi Yong Shen). The heavenly stem Ren Water (Indirect Wealth) in the Annual Pillar was a favorable element protruding in the stem, representing opportunity and the realization of talent.

1943: First Display of Brilliance in Shapingba, the Debut of His Artistic Career

At age 24, he successfully held his first solo exhibition at the Youth Palace in Shapingba, Chongqing, Sichuan. This marked the official entry of his artistic talent into the public eye, a key step forward in his artistic career.

BaZi Analysis: This year featured the Gui Wei Annual Pillar. The heavenly stem Gui Water as Direct Wealth (Zheng Cai) protruding in the Annual Pillar was a favorable element for the Day Master Wu Earth, signifying the appearance of wealth luck and opportunities.

1946: Crowned in Art, Studying in France on a Scholarship

At age 27, with the outstanding achievement of ranking first nationally in the painting major, he successfully earned a government-funded scholarship from the Ministry of Education to study in France, opening the door to the world for his artistic career.

BaZi Analysis: This year's Annual Pillar was Bing Xu. The subject's BaZi has a strong Day Master, favoring Metal, Water, and Wood to drain its brilliance and maintain balance.

1946: The Star of Romance Moves, Tying the Knot

At age 27, he married Zhu Biqin in Nanjing. This marriage became a crucial spiritual pillar and emotional haven in his life.

BaZi Analysis: This year the subject was 27, undergoing the Wu Chen Luck Pillar, with the Bing Xu Annual Pillar. The natal chart had a strong and prosperous Day Master of Earth, where Water serves as the wealth star, and also as the spouse star.

1947: Crossing the Ocean, Opening a New Chapter in the Palace of Art

At age 28, he traveled far to Paris, France, entering the Dubois studio at the École Nationale Supérieure des Beaux-Arts, embarking on a professional painting study career.

BaZi Analysis: This year marked the intersection of the late Wu Chen Luck Pillar (Friend) and the Ding Hai Annual Pillar.

1950: Returning Home, Taking the Podium at the Art Academy

At age 31, having completed his studies abroad, he returned and was appointed as a lecturer at the Central Academy of Fine Arts, bringing modern art concepts back to China and initiating his career in art education.

BaZi Analysis: This year fell within the Ding Mao Direct Resource (Zheng Yin) Luck Pillar. The heavenly stem Ding Fire as Direct Resource in the Luck Pillar combined with the heavenly stem Ren Water as Indirect Wealth in the Hour Pillar, indicating that he would attain a stable position and income through knowledge and reputation.

1953: A New Chapter at Tsinghua, Associate Professor on the Podium

At age 34, he transferred to the Architecture Department of Tsinghua University as an associate professor, continuing to engage in art teaching and research at a higher institution and opening a new stage in his academic career.

BaZi Analysis: This year entered the Gui Si Annual Pillar. The heavenly stem Gui Water as Direct Wealth in the Annual Pillar combined with the Day Master Wu Earth, forming the "Wu and Gui combination transforming into Fire." Wealth coming to combine with the self indicates gaining both name and profit in his career.

1956: Leading the Art Academy, the Resource Star Shining Brightly

At age 37, he served as the head of the Oil Painting Teaching and Research Office at the Beijing Art Normal College (later known as the Beijing Art Academy), responsible for oil painting instruction and discipline development, attaining a significant position and responsibility in his career.

BaZi Analysis: The career advancement this year was echoed by multiple auspicious signs in his BaZi. First, the subject was in the Ding Mao Direct Resource Luck Pillar, and the Resource star represents reputation, status, and academia.

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